We are current to line 891. Included in this installment is Andrew waking at the walls of Mermedonia, and the heavenly vision of his disciples. In the latter portion, I thought I might experiment a bit with the line lengths, since the vision sounds almost like a poem interpolated within the larger one.
Enjoy, and please keep the comments coming!
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61% of the extant poetry and counting...
There's more to Anglo-Saxon narrative poetry than Beowulf,
and it is just as engaging, vital, and important to the classroom and scholar.
However, very little of it has been set into verse translation.
That has changed...
Use the ASNPP in your Class!
If you are teaching and wish to use any of my translations for course readings, please contact me first. I will send you the most up-to-date version, in a file formatted for easy reading and reference. All I ask in return is that you send me comments on how it worked or didn't work or other pedagogical comments that will help me shape and perfect the poems. The ASNPP is here to help out with the mission of exposing Anglo-Saxon poetry to a wider audience, so let me assist you in whatever way I can! Contact me via email if you are interested.
Translated Texts
Enumeratio Institutionum
Enumeratio Blogorum
Labels
- Andreas (11)
- Beowulf (1)
- Christ (33)
- Christ and Satan (11)
- Classroom (1)
- Daniel (10)
- Elene (20)
- Exodus (6)
- Genesis (48)
- Guthlac (12)
- Juliana (12)
- Metres of Boethius (9)
- Other poems (3)
- Phoenix (12)
- poetics and translation (2)
- St. Christopher (1)
- The Ruin (1)
- The Word Exchange (2)
De Re Mihi
- Aaron Hostetter
- Aaron Hostetter is an assistant professor of medieval English at Rutgers University-Camden. His book project, tentatively titled The Matter of Cuisine: Food-ways and Medieval Romance, is a work of literary anthropology tracking the intersection of food practice, political theory, and the romance literature of medieval England, from its earliest iterations in tenth-century hagiographic narratives to their descendants of the fifteenth century, across four centuries of viands and verse, from romances in Anglo-Saxon, to Old French, and then to Middle English.
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